In the small community of Kamloops, in the interior of British Columbia, Brian Lamb is the Director of Innovation at Thompson Rivers University Open Learning and gives interesting opinions about Creative Commons and intellectual property.
This interview was previously featured in the post Canadians using CC licenses. Lamb is one of the members of the Creative Commons Canada Advisory Board and founded some the earliest campus services for blogs and wikis in Canada. His weblog, abject.ca, is highly recommendable.
– How did you start using Creative Commons?
I worked in education technology medium for a long time and, early on, I got really frustrated with traditional education technology that tends to be so controlled – “This is your classroom, this is activity 1, this is activity 2” – because on my spare time I was using a weblog, wikis… and I thought “This is way easier, way cheaper, more fun” Continue reading
The visual effects of “Tears of Steel” have nothing to envy big sci-fi film productions from major cinema companies that collapse theatres worldwide. However, this shortfilm was not produced in Hollywood but in the Netherlands, was developed through open software and has not follow an usual circuti of distribution for this kind of productions, instead, can be found entirely online and purchased on a DVD with extra content.
This 12-minutes shortfilm, online released on September 2012, is the fourth open movie production by Dutch studio for open 3D projects Blender Institute. An independent production financed by its online community through crowdfunding and the support of the Netherlands Film Fund, Ginegrid consortium corporate sponsors such as Google.
The project was an incentive to develop a free and open source pipeline for visual effects in film industry, which uses the creation software Blender 3D, developed by this institute. Following the philosophy of a true open movie, the final production and all the material developed on the filmmaking process is released under Creative Commons licences, so other filmmakers can study and reproduce the details of the creation process. Continue reading
Another interview from Canadians using CC licenses: Ian MacKenzie was one of the panelists at the Creative Commons Canada Salon in Vancouver, October 15. He is not only a filmmaker, now known specially for the documentary about Occupy Wall Street movement, “Occupy Love”, but also an advocate for crowdfunding as a new, innovative and alternative way to fund his productions. We talked by Skype about this and more:
– When did you first hear about Creative Commons?
I started knowing about Creative Commons because I was using Flickr and I saw they featured options for Creative Commons. From there I started looking through it and researching on it and the philosophy behind Creative Commons. Continue reading
After more than a year, no one has received yet any official explanation or reasons to the detention of Bassel Khartabil, a Palestinian-Syrian well-respected computer engineer, 31 year old, specialized in open source software development who volunteered on Internet projects like Creative Commons, Mozilla Firefox, Wikipedia or Open Clip Art Library.
Khartabil, who is better known online and in technology communities as Bassel Safadi was detained on March 15, 2012, in a wave of arrests in the Mazzeh, district of Damascus (Syria), no trial.
Second full interview from Canadians using CC licenses: The re-launched Creative Commons Canada has BCcampus as the main institution representing Creative Commons in the British Columbia area. In a conversation by Skype with Mary Burgess, the Director of Curriculum Services and Applied Research, introduces to the organization and its involvement on the Creative Commons mission and her particular involvement in open education.
– What is BCcampus and when did you started working in this organization?
BCcampus is a group that is funded by the BC’s Ministry of Advanced Education, to provide collaborative services and resourcing, an advocacy for education technology, online learning and open education initiatives. This is where the Creative Commons comes in, for us. Continue reading
Words and projects remembering Aaron Swartz‘s legacy are all over the Internet. In his memory, the DJ, hacker and electronic musician Jairus Khan started the #MP3Tribute, where he wants to collect over a 100 CC-licensed music albums to release on Swartz’s memory, for his involvement in the first steps of Creative Commons licences.
The idea is simple: Khan is asking artists to contribute with their work, which should be “commercially available at some point” but NOT already released under Creative Commons or any other similar open licence.
By contributing, artists would make those albums, that previously were illegal to copy, available to audiences worldwide under a Creative Commons Attribution Non-Commercial No-Derivates (BY-NC-ND) licence.
Many interesting points of views about Creative Commons and intellectual property did not appear in Canadians using CC licenses so, in the next weeks, the full interviews will be posted in individual posts under a new category.
Full interviews start with a conversation on Skype with Kent Mewhort, an independent Ontario lawyer and legal project lead for Creative Commons Canada, former staff lawyer at Canadian Internet Policy and Public Interest Clinic (CIPPIC), a non-profit legal clinic at the University of Ottawa. The interview starts discovering his professional background and initial involvement with CC licences and continuos explores the early history of Creative Commons.
– How did you get involved with Creative Commons?
I come from software engineering background; I’ve being always interested in software licensing and is from it that I first got interested in Creative Commons. Continue reading